THE LAST BASTION NETFLIX REVIEW MOVIE

This is where film festivals come in, because as the title suggests, it is sometimes the only chance for many filmmakers to get their films seen the way most movies are meant to be seen – on a theater screen with an audience that will help enhance the experience with their reactions. (Thankfully, that seems to be changing in a big way with the success of RBG and Won’t You Be My Neighbor, both which played like gangbusters at Sundance, as well as Three Identical Strangers, which opened last week.) As with many other films I’ve seen with an audience, the experience of seeing that doc with other people added to my enjoyment of the film, as I enjoyed the laughter and reactions to what was happening on screen. It’s very hard to get people to leave the comfort of their homes and go out to the movies, and docs just aren’t as sexy as the latest franchise offerings. That was an interesting note only because she was absolutely right.

THE LAST BASTION NETFLIX REVIEW MOVIE

It was picked up by one of the more prominent indies, guaranteeing it a theatrical release, but before the movie, the director thanked everyone for coming out, because she knew that every movie that plays in theaters is competing with so many other forms of entertainment, including TV, sports, video games, etc. While you can see lots of movies this way, there’s no doubt in my mind that the movies that really have an impact on us are the ones we watch as a communal experience with others.Īnother thing that happened last week is that I attended a New York screening of a really good doc which premiered at DOC-NYC, a New York-based doc festival, last November. It’s obvious many people are now happy to watch movies at home via streaming links, or on their phones and tablets via Netflix and other streaming services. It’s a huge loss for the critical community and a sign of the times when what once was the busiest screening room in the city, throws in the towel.

Last week, New York’s Magno Screening Room closed after 68 years of being one of the primary places where film critics see the movies they review. What was a familiar sight (and home) to a number of NYC-based film critics: The Magno Screening Room The only way to seem is via online screening links. That and the cost to rent screening rooms has made it so that many of those smaller films don’t get press screenings. I’ve noticed in recent months these press screenings, especially for smaller films – indies, foreign films and docs – are becoming less populated. I’m based in New York City, and I see most of the movies I write about or review at press screenings set up by the studios or independent publicity houses.

This might seem simple enough, because it’s something we do regularly, but it’s changing rapidly with so many other options to view movies that make it easier to lounge at home and not have to deal with other people, who may not act or think the way we want them to. Instead, I want to look at one of the biggest positives about regional film festivals that I can think of, and that’s about keeping alive one of the simplest movie traditions, and that’s the idea of seeing movies with other people.

I don’t want to repeat those thoughts about the problems too many independent films and filmmakers are suffering when trying to bring their movies into theaters against the pervasive superhero and Star Wars movies. I wrote this piece for The Tracking Board asking whether film festivals are really helping the independent film business or not. A few months back, I was thinking about some of the movies I enjoyed seeing at film festivals and the weak reception they received on release in terms of press and critical coverage.

The last bastion netflix review